The lovely Rebecca not only ordered some Hy-Art, but with her money order sent me 1) a beautiful letter in content and form; 2) a gift called The Art Book, which gives a page each to 500 artists, most of which I was unfamilar with. This rendition is a combination of Rosso Fiorentino and Paul Delvaux, both new to me. Delvaux offers the challenge of all surrealists (for me), which is how to make them even more surreal! Seems like a renaissance cherub is as good a way as any.
I've decided to flirt at least once a day. Whether it's adding a new friend on My Space, or sending a rose on Facebook, or going to a new meeting and saying hi to someone who intimidates me, it would seem to be that the act of putting yourself out there even in a small way 365 days a year is going to bear fruit eventually.
Today is Tennessee Tony's 38th birthday, What a gift he has been to me, even if our relationship consists now mostly of the occasional email and phone call. We always make each other laugh, and that is HUGE. And oddly enough, the guy whose house I sublet when I spent several weeks in Tennessee in 2006 has become a friend. We had exchanged a mutual interest in ABC soaps, and use that as an excuse to email practical every day and gossip about the characters and bad acting. Inevitably, other topics are touched on, and through this back door we are getting to know each other. He's way too smart to encourage a long-distance thing, and it's very hard to imagine myself in Nashville without being with Tony, but there is the feeling of a door being open, even if it's at the end of a long hallway. (He's VERY cute.)
This is what I wish Reverend Wright had said:
"There isn't a person listening to me who hasn't at one point or another in his life not been so angry at a spouse, a child, a brother, sister, or friend that he could have hit that person. In fact some of you have. But you would have loved them nonetheless, so much that it hurts.
I do not hate America. I love America so much that it hurts. It hurts when I see what can be done in America's name that is unjust and wrong, and it makes me very, very angry. This anger has come out in my sermons, and as a minister whose purpose has been to motivate others to action, I have used that anger to do just that. I do not believe America is responsible for 9/ll, but I do believe America needs to take responsiblity for her part in provoking the wrath that causes so many to want to do us harm. I do not believe the government causes AIDS, but I do believe that we have a government capable of doing so, because it has shown itself capable of doing so many bad things.
There is no reason my beliefs should have the slightest bearing on the candidacy of Barack Obama, who I consider a great man. I deeply regret that I have affected his campaign. I will say no more on the matter. Thank you."
MCO 2008
P.S. You may notice that I have added Google Adsense to my blog. Do not click on them just to put money in my coffers, as I have signed a pledge not to ask you to, and I trust that Google has the technology to notice if the same computer clicks on it every day. I don't want them pulling the ads if they feel that pledge is being violated.
However, if you have the slightest curiosity/interest about whatever products/services are advertised, certainly, I encourage you to check it out.
A friend sent me a link to the work of Charles Sheeler, said to be of the "Precisionist School," of which I had not heard but which appeals to me as I like geometric lines and New York in the 20s and 30s. I then quite accidentally fell onto this self-portrait by Frida Kahlo, who evokes in it the semi-constant pain she experienced from a literal impalement she suffered in an accident early in her life. I love the fit between the two.

I actually have a fair amount of photos from my Vegas trip, but this Rockwell/Bosch Hy-Art of a snowman and his traveling companion in hell does an excellent job of telling the story of my weekend. I have the feeling the prospect of a short story is slipping away, as I simply must devote time to enterprises that can help my financial picture in the immediate future. 
This wasn't my intent when I created it, but this Cezanne/Sargent Hy-Art embodies the idea that we keep the dead alive by remembering them, carrying them with us on a daily basis. I try to spend some time regularly with those I have loved and lost--though these extended moments are more and more punctuated by apology. For example, I was often impatient and unkind to my Dad when he was alive. Not aggressively mean or abusive, but definitely sarcastic and dismissive. It was easy to do, as his IQ dropped precipitously when he drank, and I would sharpen my teeth on him. Think Johnny Carson to his Ed McMahon. He would tend to laugh it off, but I'm sure it hurt, to the extent he felt it much at all. I am suddenly relieved that he was usually drunk when that happened, I take comfort in the fact that he had some numbing protection. (Yes, I note the irony.)
This slightly Cirque de Soleilish Hy-Art (Raphael and Velasquez) serves as on opener to mention that I am spending the weekend in Las Vegas. David has to go to a wedding, and he wants companionship. The car rental and hotel is costing him the same, all I will cost him extra is a few meals and a few thousand in gambling money. KIDDING. I am limiting myself to $50--what I would spend here for a weekend on just living.
Last night I saw the Lady Vols win the NCAA Women's Basketball Championship (another legacy of Tony--that boy turned me into a sportsfan for every Tennessee-related team.)
One of the most challenging things about the Hy-Art is to successfully mix works from different centuries. This Van Eyck couple is from the 15th century, the floating duo are from a 20th century Chagall. (It occurs to me looking at this is that one of the great things about babies is that they never change! They're the same no matter what culture or what century. Dogs too.)
Yesterday was the 100th birthday of Bette Davis, and TCM ran some of her best movies all day. I actually went to a friend's to see Elizabeth and Essex, then some of Now Voyager, (I've seen that one so many times I can mouth the dialogue). I skipped All About Eve because I'd seen that for the umpteenth time just two weeks ago, and didn't turn back until watching Dark Victory for a nightcap.