“Next” intoned the clerk.
It was 48 years ago, back in 2007, but I remember it like it was yesterday.
I was ushered into a spare white room and motioned to sit. St. Peter (I knew because of the nameplate on his desk), peered over his bifocals at my file. I wondered why he needed bifocals.
“I wear the bifocals because the Afterlife takes on whatever appearance you think it will.”
Clearly, he could read my mind. I figured right then I didn’t have to do much talking.
“Let’s get to the point, shall we?” he proposed.
I squirmed. Surely I was in for it. I was going to find out that all that redemption I experienced in the last part of my life didn’t even begin to compensate for the wreckage I created of the first part of my life. Let’s face it. I was fundamentally a bad person, rotten to the core.
“Your ‘IDEAS’ file.”
“What?”
“Your ‘IDEAS’ file. On your hard drive. Surely you didn’t think we didn’t have complete access to everything in your computer, did you?”
I actually wasn’t thinking about Judgment Day at all when the cab went into reverse at Serrano and Hollywood as I stupidly jaywalked behind it. But if I had, I certainly didn’t think the file listing all the ideas I had for screenplays, movies, and novels, the ones I never wrote or never finished, was going to come up for discussion.
“What about my ‘IDEAS’ file?”
“Let’s review, shall we…? ‘Back to the Future – Hitler’” he began.
“Oh that!” I jumped to the conclusion that I had to defend the story. Was heaven all about heresy and inquisition, after all?.
“Well, this scientist goes back in time to kill Hitler as a baby. And he does. But when he comes back to the present, everyone is speaking German, and he finds out there was a worse guy than Hitler who came to power but who won the war. So he goes back in time to kill himself—his other self--before he can kill Hitler. And he’s successful! But he’s caught! And they put him on trial and---“
“Yes, we know how it ends. In fact it was very inventive.”
“Oh.” I was taken aback. I didn’t expect a compliment. “Thank you.” I found out you can blush even when you’re dead.
“Let’s move on. ‘Prequel to Gone With the Wind.’”
“That was a novel, or supposed to be. I did write 5 chapters of it. It’s the love story of Rhett Butler and Belle Watling, in the years leading up to the Civil War. Since they had a son and everything. But I couldn’t get the rights, of course. Hell, the Martha Mitchell estate couldn’t even come to an agreement with Pat Conroy,” I noted defensively.
“Yes, we know.”
I rolled my eyes. What was the point if he knew everything?
“The point is that it was another good beginning of a work you never finished.”
Oh, so that’s what this was about.
“Well…” I flailed about for legitimate excuses, trying to keep the focus off the 25 years when I drank and used. “I was busy. I had a blog to write. Or do you think I shouldn’t have spent so much time on the blog?”
“No, we actually liked the blog very much. But it only took an hour a day to write, maybe two.”
“Well, I had to read other blogs too. You can’t expect people to read yours if you won’t read theirs. And what about picking up trash? My meetings?”
“All good, Mr. Olmsted.”
And then he waved his hand, and a holovideo appeared. I thought it was going to be a technicolor expose of the millions of wasted hours spent in bars and on the internet, when I could have been building a literary empire to endure for centuries.
Instead, it was a fast-motion montage of me watching television, the shows clipping by in fast motion, but just slow enough that I realized they were all of recent vintage, from the last three years of my life. It looked like I was getting a pass for those decades under the influence. At least I had an excuse of sorts then. Since I’d been sober? Not so much—evidently.
It was painful to watch. And to hear, as St. Peter accompanied the damning cinema with a reading of the rest of the undone, unsung projects in my idea file.
“Black 'High Society.'" ‘Copenhagen/Eduardo Story,’ ‘ Uncles and Nephews,’. ‘War Occupation-Fay/Mom Story.’ ‘Children’s Color Story,’ ‘What if I’d Grown Up in France Story,’.’ Therapist/Two Patients Play’, ‘Bloggers in Love screenplay.’” And on and on.
“Please, stop, I get the idea.” I pleaded.
He snapped his fingers, freezing the holovideo on a frame of Joey Fatone doing the mambo on “Dancing With the Stars.”
“I don’t understand. Why are you showing me this?”
“It’s Judgment Day, Marc” Uh-oh, he was calling me Marc, now. “But it’s not God’s judgment, but your own. For all that you think you should have done with your talent but didn’t because you watched too much TV.”
“And because I’m lazy” I added.
He shrugged. “If you wish.”
“Well, so, if God does not judge me, why does he want me to feel so guilty?”
“She.”
“What?”
“God. The correct pronoun is ‘She.’”
“Oh.” That was an interesting bit of information.
“God does not wish for you to feel anything at all. God simply allows you to see clearly what’s necessary for your personal growth.”
Personal growth? Who was God, anyway, Oprah Chopra?
“These were things you need to know if you decide on a Do-Over.”
“A Do-Over?’”.
“Yes. We’ll put you right back into your mother’s womb in 1958. You can live your life all over again. “
I was intrigued, to say the least. But skeptical. There had to be a catch.
“The catch is you’d die again at the same age. That’s predetermined.”
“But I’d know everything I did wrong the first time around?’
“It means you’d have a keen presentiment available to you of what choices not to make again.” A little vague, but it still sounded pretty cool.
“I’m afraid our time is up.” Two doors appeared behind him, marked “#1” and "#2." You must choose now. There’s Door #1, the Do-Over, or you may move on through Door #2 to the next existence, the details of which I am not at liberty to disclose…”
That offer came 48 years ago, and with it came a return to 1958, because of course I chose the Do-Over. Wouldn’t you? And now I’m right back where I ended, dead in 2007 for a second time, and I’m here to tell you living life over knowing what not to do turned out to be the worst idea ever. It’s not that I didn’t make mistakes—I made plenty, just different ones. New ones. Foreign ones. Foster mistakes. I feel like a dog person forced to have cats. You grow to care for them, but it’s just not the same.
I miss my old errors, my original rueful regrets. I don’t know who I am without them. I had no idea how much the paths not taken defined you as much as those you did take. Who knew they were so much who I was? Who anyone is?
So yesterday, when the cab hit me—in Quebec, this time, because, of course, I’d had the good sense to move to Canada the second time around--I was ready to go. I was tired of a life with all the wrong mistakes.
Except for some of them.
They found my most treasured possession curled up in my hands, the infamous “IDEAS” list, printed out. Yes, the same list of all those unwritten projects. Those “mistakes” I kept. As I grew older a second time, I realized that those were regrets I could recreate, and that somehow comforted me, made me feel more myself, as I lived my alternative redux life of smarter choices. Not writing those same projects was my only link to my first life, full of those doubts, those same “what ifs” that, unbeknownst to me, were some of my closest friends.
This time, I can face St. Peter—or St. Pierre, as I’m entering through the Montreal gate—loving my regrets instead of regretting them. I could do Edith Piaf one better. Je ne regrette rien—not even my regrets.
I should note one thing however, The list is not entirely the same. It’s missing item #16, that last one on the original, which read: “Possible New Yorker Piece/St. Peter/Regrets.”
“Entrez!”
This time, it’ll be Door #2. I don’t care who my new parents are, or where I grow up. I don’t want to know. I don’t want to know a thing.
MCO 2007